Bibliography

---

This consolidated list includes works recommended for individual lectures. For ease of reference, monographs on Constable and Turner have been listed separately, as there are so many publications devoted to them individually.  Readings recommended specifically for New Zealand landscape art have also been listed separately.

 

*Books placed on short loan in the Library are marked with an asterisk.

 

Alfrey, Nicholas. Towards a new landscape. London: Bernard Jacobson, 1993. [759.2 T737]

*Alpers, Svetlana. The art of describing. Dutch art in the seventeenth century. Chicago: Chicago University Press, 1983. [759.3 A456]

*Andrews, Malcolm. Landscape and Western Art. Oxford: Oxford University Press, 1999. [704.3 A 5681]

Andrews, Malcolm. The picturesque: literary sources & documents. Robertsbridge: Helm Information, c1994. [704.3 P611]

*Andrews, Malcolm. The search for the picturesque: landscape, aesthetics and tourism in Britain 1760-1800. Stanford: Stanford University Press, 1989. [759.2 A568 & GEN]

Appleton, Jay. The symbolism of habitat: an interpretation of landscape and the arts. Seattle: University of Washington Press, c1990. [704.3 A651]

Arts Council of Great Britain. Shock of recognition: the landscape of English romanticism and the Dutch seventeenth‑century school. London, Arts Council, 1971. [758.1 A79]

Baetjer, Katharine. Glorious nature: British landscape painting, 1750‑1850. New York: Hudson Hills Press, c1993. [759.2 B142]

*Barrell, John. The dark side of the landscape: the rural poor in English                      painting, 1730‑1840. Cambridge: Cambridge University Press, 1980. [759.2 B27 & GEN]

*Belsey, Hugh. Thomas Gainsborough: a country life. London: Prestel, 2002. [759 G14b]

*Bermingham, Ann C. Landscape and ideology: the English rustic tradition, 1740‑1860. London: Thames and Hudson, 1987. [759.2 B516L] (see also her thesis ‘The ideology of landscape’ University Microfilms 759.2 B516)

Bourassa, Steven. The aesthetics of landscape. London: Belhaven Press, 1991. [GEN 719 B76]

*Brown, Christopher. Dutch Landscape: The Early Years. Haarlem and Amsterdam 1590-1650. London: National Gallery, 1986. [759.3 B87du]

Bullen, J. B. (ed.) The sun is God: painting, literature, and mythology in the nineteenth century. Oxford: Clarendon, 1989. [759.2 S957]

*Burke, Edmund.  A philosophical enquiry into the origin of our ideas of the sublime and the picturesque. London: Routledge, 1958. [701 B95 & GEN]

Cafritz, Robert (ed.) Places of delight: the pastoral landscape. Washington, 1988.  [758.1 c129]

Clark, Kenneth. Landscape into art. London: J. Murray, 1976. [758.1 CLA & GEN]

Coffin, David. The English Garden: meditation and memorial. Princeton: Princeton University Press, 1994. [712 60942 C67]

*Copley, Stephen & Garside, P (eds.) The politics of the picturesque: Literature, landscape and aesthetics since 1770. Cambridge: Cambridge University Press, 1994. [704.3 P769 & GEN 111.85 C784]

Cosgrove, Denis and Daniels, Stephen (eds.) The iconography of landscape: essays on the symbolic representation, design and use of past environments. Cambridge: Cambridge University Press, 1988.  [704.3 I37 & GEN 704.943 I16]

Cosgrove, Denis. Social formation and symbolic landscape. Tokwata, NJ: Barnes and Noble Books, 1985.  [GEN 301.3109 C83]

Daniels, Stephen. Fields of vision: landscape imagery and national identity in England and the United States. Cambridge: Polity Press, 1993. [704.3 D186 & GEN 758.1 D18]

*De Jongh, Ernst. ‘Mountains in the Lowlands’ in M Hoyle (ed.) Questions of Meaning: Theme and motif in Dutch seventeenth-century painting. Leiden: Primavera Pers, 2000, 167-191.

Eisenman, Stephen. Nineteenth century art: a critical history. New York: Thames & Hudson, 2002. [709.035 E361]

Fussell, George Edwin. Landscape painting and the agricultural revolution. London: Pindar, 1984. [759.2 F994]

Gibson, Walter. Mirror of the earth: the world landscape in sixteenth-century Flemish painting. Princeton: Princeton University Press, 1989.  [759.3 G451]

*Gilpin, William. Three essays: On picturesque beauty; On picturesque travel; and On sketching landscape: to which is added a poem On landscape painting. Farnborough, Gregg, 1972. [GEN 758.1 G48 & ARCH 72:013(42) G48]

Glacken, Clarence J. Traces on the Rhodian shore: nature and culture in Western thought from ancient times to the end of the eighteenth century. Berkeley: University of California Press, 1967.  [GEN 301.3 G54]

Gombrich, Ernst. ‘The Renaissance Theory of Art and the Rise of Landscape’ in Norm and form: studies in the art of the Renaissance. London: Phaidon, 1966, pp 107-121. [709.03 G63]

Hawes, Louis. Presences of nature: British landscape, 1780‑1830. New Haven: Yale Center for British Art, 1982. [759.2 H391]

*Hayes, John. The landscape paintings of Thomas Gainsborough: a critical text and catalogue raisonné. Ithica: Cornell University Press, 1982. [759 G14hal]

Heffernan, James A. W. The re‑creation of landscape: a study of Wordsworth, Coleridge, Constable, and Turner. Hanover: University Press of New England, 1984. [GEN 821.709 H46]

Helsinger, Elizabeth K. Rural scenes and national representation: Britain, 1815‑1850. Princeton, NJ: Princeton University Press, 1997. [GEN 820.9321734 H48]

Hemingway, Andrew. Landscape imagery and urban culture in early nineteenth‑century Britain. Cambridge: Cambridge University Press, 1992. [GEN 759.2 H48]

Herrmann, Luke. British landscape painting of the eighteenth century. London, Faber & Faber [1973] [759.2 H55]

*Hipple, Walter. The beautiful, the sublime and the picturesque in eighteenth-century British aesthetic theory. Carbondale: Southern Illinois University Press, 1957.  [701 H66 & GEN 701.17 H667]

*Hunt, John Dixon. The figure in the landscape: poetry, painting and gardens during the eighteenth century. Baltimore: Johns Hopkins, 1989.  [709.033 H94 & GEN 821.609 H94]

*Hunt, John Dixon and Willis, Peter. The genius of the place: the English landscape garden 1620-1820. Cambridge, Mass.: MIT Press, 1993. [712.2 G331]

Jacobs, Michael. The painted voyage: art, travel and exploration 1564‑1875.  London: British Museum Press, c1995. [758.1 J17 & GEN]

*Kitson, Michael. Studies on Claude and Poussin. London: Pindar Press, 2000. [709.44 K625]

Klonk, Charlotte. Science and the perception of nature: British landscape                      art in the late eighteenth and early nineteenth centuries. New Haven: Yale University Press, c1996. [759.2 K66]

*Knight, Richard Payne. An analytical enquiry into the principles of taste. Westmead: Gregg International, 1972. [701.17 K71]

Kriz, Kay Dian. The idea of the English landscape painter: genius as alibi in the early nineteenth century. New Haven: Yale University Press, c1997. [759.2 K92]

*Lagerlöf, Margaretha. Ideal landscape: Annibale Carracci, Nicolas Poussin, and Claude Lorrain. New Haven: Yale University Press, 1990. [758.1 L174]

Lambert, Audrey. The making of the Dutch landscape. London: Seminar Press, 1971. [GEN 911.492 L22]

Lubbock, T. ‘Claude’s Extras (What’s lost if you lose the figures from those pure landscapes?) Modern painters 7: 20-22, Spring 1994.

Macauley, Rose, Pleasure of Ruins. London: Thames and Hudson, London, 1953.

*McTighe, Sheila. Nicholas Poussin’s landscape allegories. Cambridge: Cambridge University Press, 1996. [759 P87mc]

Meyer, Laure. Masters of English landscape: among others Gainsborough, Stubbs, Turner, Constable, Whistler, Kokoschka. Paris: Terrail, 1995. [759.2 M612]

*Mitchell, W.J.T. Landscape and power. Chicago: University of Chicago Press, 1994. [704.3 L263m & GEN 704.943 L26]

*Mosser, Monique and Teysott, Georges (eds.) The architecture of western gardens: a design history from the Renaissance to the present day. Cambridge, Mass.: MIT Press, 1991.  [712 A673 & ARCH]

Nicholson, Marjorie Hope. Mountain Gloom and Mountain Glory: the development of the aesthetics of the infinite, Norton, New York, 1963.

*Olson, Todd. Poussin and France: Painting, Humanism, and the Politics of Style. New Haven: Yale University Press, 2002. [759 P87ol]

Panfosky, Erwin. ‘Et in Arcadia Ego: Poussin and the Elegiac Tradition’, Meaning and the visual arts. New York: Doubleday, 1955, pp 295-320. [704.9 P19 & GEN 704.91 P19]

Parris, Leslie. Landscape in Britain, c. 1750‑1850. London, Tate Gallery Publications, 1973. [759.2 P26]

Paulson, Ronald. Literary landscape: Turner and Constable. New Haven: Yale University Press, c1982. [759.2 P332]

Payne, Christiana. Toil and plenty: images of the agricultural landscape in             England, 1780‑1890. New Haven: Yale University Press, c1993. [759.2 P346]

Pointon, Marcia. The Bonington circle: English watercolour and Anglo-French landscape, 1790-1855. Brighton: Hendon press, 1985. [758. P752b]

Price, Uvedale. Essays of the picturesque. 3v. Farnborough: Gregg, 1971. [704.9 P94]

*Pugh, Simon. Reading landscape. Country - city - capital. Manchester: Manchester University Press, 1990. [GEN 704.943 R28]

*Repton, Humphry. An enquiry into the changes of taste in landscape gardens. Farnborough: Gregg, 1969. [712 R42]

*Rosen, Charles and Zerner, Henri. ‘Caspar David Friedrich and the Language of Landscape’, Romanticism and realism: the mythology of nineteenth century art. London: Faber and Faber, 1984, pp 49-70. [709.035 R813]

*Rosenthal, Michael. British landscape painting. Oxford: Phaidon, 1982. [759.2 R815]

Ross, Stephanie. What Gardens Mean. Chicago: Chicago University Press, 1998. [712 20942 R82]

Schama, Simon. Landscape and memory. New York: A.A. Knopf: Distributed by Random House, c1995. [704.3 S299 & ARCH]

Schneider, Cynthia P. Rembrandt’s landscapes. New Haven: Yale University Press, c1990. [759 R38sch]

Schulz, Max. Paradise Preserved. Recreations of Eden in eighteenth and nineteenth-century England. Cambridge: Cambridge UP, 1985. [709.42 S389]

Sloan, Kim. Alexander and John Robert Cozens: the poetry of landscape. New Haven: Yale University Press, 1986.  [759 C882a]

Solkin, David. Painting for money: the visual arts and the public sphere in eighteenth-century England. New Haven: Yale University Press, 1993. [706.4 S687]

*Solkin, David. Richard Wilson. The landscape of reaction. London: Tate Gallery, 1992. [759 W75s]

Spencer-Longhurst, Paul and Brooke, Janet. Thomas Gainsborough: the Harvest Wagon. Birmingham: Birmingham Museums and Art Gallery, 1995. [759 G14s]

*Stechow, Wolfgang. Dutch landscape painting of the seventeenth century. New York: Hacker, 1980. [759.3 S81 1980]

*Sutton, Peter C. Masters of 17th‑century Dutch landscape painting. Boston: Museum of Fine Arts, 1987. [759.3 S967]

Thomas, Keith. Man and the natural world: changing attitudes in England, 1500-1800. Harmondsworth: Penguin Books, 1984.  [ARCH 719:39(42) T458]

Verdi, Richard. Cézanne and Poussin: the classical vision of landscape. London: National Galleries of Scotland, c1990. [759.4 V484]

*Vergara, Lisa. Rubens and the poetics of landscape. New Haven: Yale University Press, 1982.

Walford, E. John. Jacob van Ruisdael and the perception of landscape. New Haven: Yale University Press, 1991. [759 R934w]

Warnke, Martin. Political landscape. The art history of nature. Cambridge, Mass: Harvard University Press, 1995. [704.3 W285]

Williams, Raymond. The country and the city. London: Chatto and Windus, 1973.  [ARCH 711.03(42) W72 & GEN 820.9 W726c]

*Williamson, Tom. Polite Landscapes; Gardens and society in eighteenth-century England. Baltimore: Johns Hopkins University Press, 1995. [712 60942 W72]

*Wilton, Andrew and Bignamin, Ilaria (eds.) Grand Tour: the lure of Italy in the eighteenth century. London: Tate gallery, 1996. [709.033 G751]

Wintermute, Alan (ed.) Claude to Corot: the development of landscape painting in                      France. New York: Colnaghi, c1990. [759.4 C615]

Woodward, Christopher. In ruins. London: Chatto and Windus, 2001.

 

CONSTABLE

 

*Bishop, Peter. An archetypal Constable: national identity and the geography of nostalgia. London: Athlone, 1995. [759.2 C75bi & GEN]

Constable, John. Sketchbooks of 1813-1814 reproduced in facsimile. London: HM Stationery Office, 1973. [759 C75j]

Cormack, Malcolm. Constable. Oxford: Phaidon, 1986. [759 C57co]

Fleming-Williams, Ian and Parris, Leslie. The discovery of Constable. London: Hamilton, 1984. [759 C75ff]

Hill, David. Constable’s English landscape scenery. London: J. Murray, 1985. [759 C75h]

Kroeber, Karl. Romantic landscape vision: Constable and Wordsworth. [Madison] University of Wisconsin Press [1975]. [709.42 K93]

Leslie, Charles Robert. Memoirs of the life of John Constable. London: Dent, 1911. [759 C75]

Parkinson, Ronald. John Constable: the man and his art. London: V&A Publications, 1998. [759 C75par]

Parris, Leslie and Fleming-Williams, Ian. Constable. New York: Cross River Press, 1993. [759 C75pa]

Reynolds, Graham. Constable, the natural painter. London: Adams and Mackay, 1965. [759 C75r]

*Rosenthal, Michael. Constable. The painter and his landscape. New Haven: Yale University Press, 1983. [759 C75ros]

Rosenthal, Michael. Constable. New York: Thames and Hudson, 1987. [759 C75ros]

Sommerlad, Michael. Wivenhoe Park and John Constable. Colchester: University of Essex, 1984. [759 C75so]

Wilton, Andrew. Constable’s “English landscape scenery”. London: British Museum Publications, 1979. [759 C75w]

 

 

TURNER

 

Bailey, Anthony. Standing in the sun: a life of J.M.W. Turner. New York: Harper Collins, 1998. [759 T94ba]

Birch, Diana. Ruskin on Turner. London: Cassell, 1990. [759 T94ru]

*Brennan, Matthew. Wordsworth, Turner, and romantic landscape: a study of                    the traditions of the picturesque and the sublime. Columbia, S.C.: Camden House, c1987. [GEN 821.71 Vbre]

Brown, David Blayney. Oil sketches from nature: Turner and his contemporaries. London: Tate Gallery, 1991. [758.1 B877]

Edgerton, Judy. Turner, the Fighting Temeraire. London: National Gallery, 1995. [759 T94e]

Gage, John. J. M. W. Turner: a wonderful range of mind. New Haven: Yale University Press, 1987. [759 T94gag]

Hamilton, James. Turner and the scientists. London: Tate Gallery, 1998. [759 T94ham]

Herrmann, Luke. Turner prints: the engraved work of JMW Turner. London: Phaidon, 1990. [759 T94pr]

Hill, David. Turner on the Thames: river journeys in the year 1805. New Haven: Yale University Press, 1993. [759 T94hill]

Hardy, William. Turner. London: Tiger Books International, 1988. [759 T94ha]

Lindsay, Jack. Turner: the man and his art. London: Granada, 1985. [759 T94Li]

Lloyd, Michael. Turner. Canberra: National Gallery of Australia, 1996. [759 T94LL]

*Nicholson, Kathleen. Turner’s classical landscapes: myth and meaning. Princeton: Princeton University Press, 1990. [759 T94n]

Powell, Cecilia. Turner in the South: Rome, Naples, Florence. New Haven: Yale University Press, 1987. [759 T94po]

*Rodner, William. J.M.W. Turner: romantic painter of the industrial revolution. Berkeley: University of California Press, 1997. [759 T94rod]

Warrell, Ian. Through Switzerland with Turner: Ruskin’s first selection from the Turner bequest. London: Tate Gallery, 1995. [759 T94warn]

Wilkinson, Gerald. Turner on landscape: the Liber Studiorum. London: Barrie and Jenkins, 1982. [759 T94wilk]

Wilton, Andrew. Turner in his time. London: Thames and Hudson, 1987. [759 T94wt]

*Wilton, Andrew. Turner and the Sublime. London: British Museum Publications. 1980.

 

 

 

NEW ZEALAND

 

Angus, George French. Savage Life and Scenes in Australia and New Zealand, Smith, Elder & Co., London, 1847.

Bell, L. ‘Two Hundred Years of New Zealand Landscape Art at the Auckland City Art Gallery: A Commentary’, Bulletin of New Zealand Art History 12, 1991, 51-5.

Bell, Leonard. Colonial Constructs: European Images of Maori 1840-1914, University of Auckland, 1992.

Bell, Leonard. The Maori in European Art, A.H. & A.W. Reed, Wellington, 1980.

Blackley, Roger. ‘New Light on Alfred Sharpe’, Art New Zealand 7, 1977. 

Blackley, Roger. ‘Writing Alfred Sharpe’, M.A. thesis, University of Auckland, 1978.

Blackley, Roger. The Art of Alfred Sharpe, Auckland City Art Gallery, 1992.

Blackley, Roger. Two Centuries of Landscape Art, Auckland City Art Gallery, 1990.

Brown, Gordon. The Ferrier-Watson Collection of Watercolours by John Kinder, Hamilton, 1970.

Brownson, Ron. John Kinder’s New Zealand, Auckland Art Gallery and Random House, Auckland, 2004.

Bruce, C.,  E. E. Cornstock, F. McDonald. Eugene von Gerard: a German Romantic in the Antipodes, Alister Taylor, Martinborough, 1982.

Byres, Giselle. ‘Between the Lines: Expressing the Particular in the Discourse of Surveying’, Interstices 3, 1995, pp.105-115.

Byres, Giselle. ‘Inventing New Zealand: Surveying, Science, and the Construction of Cultural Space, 1840s-1880s, PhD thesis, University of Auckland’, 1995. Interstices 3, 1995, pp.105-115.

Carter, Paul. ‘Living in a New Country: Reflections on Travelling Theory’. Meanjin, 49, 3, 1990, 429-48.

Carter, Paul. Living in a New Country: History, Travelling and Language, Faber and Faber, London, 1992.

Carter, Paul. The Lie of the Land, Faber and Faber, London, 1996.

Carter, Paul. The Road to Botany Bay: An Essay in Spatial History, London, 1987.

Carter, Paul. The Sound In Between: Voice, Space, Performance, Sydney, 1992.

Cikovsky, Nicolai, Jr. “‘The Ravages of the Axe’: The Meaning of the Tree Stump in Nineteenth Century American Art”, Art Bulletin 61. 

Collins, J. ‘The Landscape and Historical Painting of Charles Meyron’, The Turnbull Library Record, vol. 8, October 1978.

Collins, R.D.J. Pictures of Southern New Zealand, John McIndoe, Dunedin, 1979.

Collins, Roger. ‘George O’Brien’, Art New Zealand  3, December/January, 1976/7.

Collins, Roger, and Peter Entwisle. Pavilioned in Splendour, George O’Brien’s Vision of Colonial New Zealand, Dunedin Public Art Gallery, 1986.

Crosby, Alfred W. Ecological Imperialism: the Biological Expansion of Europe  900-1900, Cambridge, 1996.

Curnow, Heather. ‘The New Zealand Paintings of William Strutt’, Art New Zealand, 13 1979, pp. 64-71.

Curnow, Heather. The Life and Art of William Strutt 1825-1925, Alistair Taylor, Martinborough, 1980.

Day, Melvin. Nicholas Chevalier, Artist: His Life and Work with Special Reference to His Career in New Zealand and Australia, Millwood Press, Wellington, 1981.

Druett, Joan. Exotic Intruders: the Introduction of Plants and Animals into New Zealand, Auckland, 1983.

Dunn, Michael. A Concise History of New Zealand Painting, David Bateman & Craftsman House, 1991.

Dunn, Michael. John Kinder: Paintings and Photographs, Auckland, 1985.

Earle, Augustus. Narrative of a Residence in New Zealand: Journal of a Residence in Tristan da Cunha, London, 1832; ed. E.H. McMormick, Clarendon Press, Oxford, 1966.

Easedale, Nola. Kairuri, the Measurer of Land: the Life of the 19^th Century Surveyor Pictured in his Art and Writings, Petone, 1988.

Eldridge, Charles. Pacific Parallels: Artists and Landscape in New Zealand, N.Z. U.S.A. Foundation, Washington D.C. and Seattle Museum of Art, 1991.

Entwisle, Peter. William Mathew Hodgkins and His Circle, Dunedin Public Art Gallery, 1984.

Fox, William. The Six Colonies of New Zealand, J. W. Parker, London, 1851.

Gibbons, Peter. ‘Non Fiction’, The Oxford History of New Zealand Literature in English, ed. Terry Sturm, 1991, pp. 25-104.

Giselle Byres. Boundary Markers: Land Surveying and the Colonisation of New Zealand, 2002.

Goldie, T. Fear and Temptation: Images of the Indigene in Canadian, Australian and New Zealand Literatures, Montreal, 1989.

Gully, John. New Zealand’s Romantic Landscape: Paintings by John Gully, Millwood Press, Wellington, 1984.

Hackforth-Jones, Jocelyn. Augustus Earle: Travel Artist, Paintings and Drawings in the Rex Nan Kivell Collection, National Library of Australia, Alister Taylor,  Martinborough, 1980.

Hall-Jones, John. John Turnbull Thompson: First Surveyor-General of New Zealand, Dunedin, 1992.

Hall-Jones, John. Mr Surveyor Thompson: Early Days in Otago and Southland, Wellington, 1971.

Hall-Jones, John. The Thompson Paintings Days, Singapore, 1983.

Heaphy, Charles. ‘Account of an Exploring Expedition to the Southwest of Nelson’, Early Travellers in New Zealand, ed. N.M. Taylor, Clarendon Press, Oxford, 1959.

Heaphy, Charles. A Narrative of a Residence in Various Parts of New Zealand, Smith and Elder, London, 1842.

Hodgkins, William Mathew. ‘A History of Landscape Art and its Study in New Zealand’, Otago Daily Times, 20 November 1880.  (Photocopy)

Keith, Hamish. John Kinder, Auckland City Art Gallery, 1958.

King, Julie. ‘In Pursuit of Sublime Landscape: Round the Sounds in Hawea’, Art New Zealand  no. 47, 1988, pp. 34-39.

Kirker, Anne. Kinder’s Auckland, Auckland City Art Gallery, 1973.

Kirker, Anne. The Watercolours of Alfred Sharpe, Auckland City Art Gallery, 1973.

Larsguard, Mary Lynette. Topographic Mappings of the Americas, Australia and New Zealand, Colorado, 1984.

Lawn, C.A. The Pioneer Land Surveyors of New Zealand. Wellington, 1977.

Martin, Albin. ‘Address to the Auckland Free School of Art’, New Zealand Herald, 13 December, 1879.

Murray-Oliver, Anthony. A Folio of Watercolours by Charles Heaphy, VC, Avon Fine Prints, Christchurch, 1981.

Murray-Oliver, Anthony. Augustus Earle in New Zealand, Whitcombe and Tombs, Christchurch, 1968.

Paul, Janet. ‘Twelve Watercolours of Glaciers in the Province of Canterbury: An Account of the Collaboration between Julius von Haast and John Gully in the 1860s’, Art New Zealand  no. 8, 1977/1978.

.Platts, Una, J.C. Hoyte, Auckland City Art Gallery, 1956.

Platts, Una. J.C. Hoyte, Auckland City Art Gallery, 1957.

Platts, Una. Nineteenth Century New Zealand Artists: A Guide and Handbook, Avon Fine Prints, Christchurch, 1980.

Pound, Francis. ‘Spectator Figures in Some New Zealand Paintings and Prints’, Art New Zealand  no. 23, Autumn 1982, pp. 40-45.

Pound, Francis. ‘The Real and the Unreal in New Zealand Painting: a Discussion Provoked by Brown and Keith’s Introduction to New Zealand Painting’, Art New Zealand  no. 25, 1982, pp. 42-47.

Pound, Francis. ‘The Stumps of Beauty and the Shriek of Progress’, Art New Zealand  no. 44, Spring 1987, pp. 52-55, and pp. 104-105.

Pound, Francis. Frames on the Land: Early Landscape Painting in New Zealand,  Collins, Auckland, 1983.

Pratt, Mary Louise. ‘Scratches on the Face of the Country: What Mr Barrow Saw in the Land of the Bushmen’, Critical Enquiry 12, Autumn 1985.

Pratt, Mary Louise. Imperial Eyes: Travel Writing and Transculturation, London, 1982.

Shepard, Paul. English Reaction to the New Zealand Landscape before 1850, Pacific Viewpoint monograph no. 4, Victoria University, Wellington, 1969.

Smith, Bernard. European Vision in the South Pacific: A Study in the History of Art and Ideas, Oxford University Press, Oxford, 1960.

Stafford, Barbara Maria. ‘Towards Romantic Landscape Perception: Illustrated Travels and the Rise of “Singularity” as an Aesthetic Category’, in Art Quarterly, 1.1., Autumn, 1977.

Taylor, Nancy M., ed. Early Travellers in New Zealand, Clarendon Press, Oxford, 1959.

Young, Rose, Heather Curnow and Michael King. Von Tempsky: Artist and Adventurer, Alister Taylor,  Martinborough, 1981.